Models strut their stuff for shot at fashion week glory

More than 200 of Brisbane’s best-looking strutted their stuff on Thursday at a mass model casting for the 2015 Mercedes-Benz Fashion Festival.

Held in the John Reid Pavilion at the RNA showgrounds, organisers and designers paid close attention to a parade of leggy blondes and toned brunettes.

And that was just the men.

MBFF choreographer Bernie Bageley said runway models had different requirements to photographic models.

”We’re looking for strong, confident, a toned body, but also personality, so that the audience gets captivated by them,” she said.

”We’re looking for a great presence on stage and you can usually tell as soon as they walk for you.”

The turnout included a high proportion of young male models.

Models parade in the auditions for Mercedes Benz Fashion Festival.

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Will Buhl, 20, and Jake Mollenhauer, 22 were both scouted by Dally’s model management while attending charity events.

”I never thought of going into the industry, but I did a gig for a charity ball and the agent that I have since signed with was there,” Buhl, a psychology student with a killer smile, said.

Mollenhauer, a personal trainer with biceps like firmly packed sand dunes, had a similar experience, finding himself sitting next to an agent at the Variety Ball last month.

”I was a plus one to my girlfriend, who was a plus one to her friend, so it was just right place, right time,” he said.

”My girlfriend was really happy … she did Miss Universe back in 2011, so she was ecstatic.”

For their first mass casting, the pair were taking pointers from two-year veteran Cade Fasala, dashing in a blue suit that set off his soulful brown eyes.

”You basically go and meet the lovely judges, say hello, give your comp cards, then you walk for them,” the 19-year-old said.

”For guys it’s a lot easier to walk than girls, it’s just basically walking proud and tall, with confidence.”

Fasala said he did MBFF in 2014 and had a great time, but modelling was still just a part-time job for him.

”I’m actually a swimmer, I’m in the Olympic development squad.”

MBFF director Lindsay Bennett said 2015 marked the tenth year of the festival, and the John Reid Pavillion would be transformed from the farm space of the Ekka to a fashion extravaganza to celebrate.

”It’s going to be the longest runway we’ve had, 66 metres long, seating capacity of 620, 253 front row seats,” he said.

”It’s the biggest, the best, and with some of the best designers we’ve ever had.”

Tracy Watkins from Hawthorne-based lifestyle brand White Label Noba said it was great organisers involved designers in the model casting.

”Because our brand covers a large range of sizes, I’m always looking for that girl who’s not too tiny, who’s got a bit of a tummy, and there are a couple of girls who’ve come through today who I think would be great,” she said.

”This is our third year at MBFF, and our business just went ahead in leaps and bounds after last year.”

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Kauneus Meikki

Donna Karan Steps Down at DKI

Donna has left the building.

News broke late this afternoon that Donna Karan is stepping down as the chief designer of the brand she founded after 31 years at its helm. According to LVMH, which bought Donna Karan International in 2001, she’ll remain a close adviser. For the time being, it will not begin a search for a successor, and, in turn, the label’s fashion shows will be put on temporary hiatus. Karan, for her part, plans to devote more time to her Urban Zen company and foundation.

Karan got her start at Anne Klein, where she rose from assistant designer to head of design. She launched her own label in 1984 with her husband, Stephan Weiss, and Takihyo, and quickly garnered acclaim for her “Seven Easy Pieces” collection of mix-and-match jersey separates. It was a practical, layerable, and, most of all, feminine system of dressing, and it made an especially big impact because it came at a time when women, new to the corporate workforce, were wearing masculine, boxy power suits with exaggerated padded shoulders. Think Melanie Griffith in Working Girl.

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Karan was a rare woman running her own label in that era, but she had no shortage of success. She launched DKNY, a lower-priced collection, in 1988, and the company’s four-letter logo would dominate the corner of Broadway and Houston for well over a decade. From the start, she understood the power of marketing. In the ’90s, her famous friends Demi Moore and Bruce Willis posed together for her campaign. They were striking images, but perhaps her most arresting advertisements were the ones that starred model Rosemary McGrotha circa 1992, right hand in the air, being sworn in, presumably as the president of the United States.

Karan’s oeuvre ranged well beyond those early jersey separates, as the photos of McGrotha in her smartly tailored suit suggests. For my part, I’ll never forget the long, dévoré velvet dresses of 1996, suspended from the skinniest of straps and exposing no small amount of skin. Her flair for travel and her yoga practice have informed countless other collections.

In my early days at Women’s Wear Daily, Karan’s name was often linked to her biggest competitors: Calvin Klein and Ralph Lauren. It was always “Donna, Calvin, and Ralph.” They were at the absolute pinnacle of American fashion. In the nearly 20 years since, if Karan’s dominance on the runway has waned, her outspokenness certainly hasn’t. She has often talked about the senselessness of delivering winter clothes in July and summer ones in January. And, of course, she has been very vocal about her causes through Urban Zen.

Karan celebrated her 30th anniversary last year with a special show downtown, not far from the Stock Exchange, where she took her company public in 1996. Fashion was in the midst of a Donna Karan moment at the time, with younger designers reinterpreting her signature jersey draping and burnout velvet gowns. She may no longer be running one of America’s most important brands, but her influence will continue.

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