The notion of “timeless” fashion is a contradiction in terms. The dictionary definition of the word states “that which is not affected by the passage of time or changes in fashion”. So, why, then, does the industry seek to achieve a state which negates its entire existence.

Because we always want what we can’t have, maybe?

That’s a bit of a philosophical starting-point, especially as it came from a trip I made earlier this week to Bicester Village, the Oxfordshire outlet village that has become something of a fashion mecca. I know of one newspaper fashion editor who calls ahead to the Celine store to ensure they have garments that justify a trip (it’s not me – but I’m doing it from now on). Others strip the rails of Prada, Saint Laurent and the newly opened Givenchy boutique clean on a regular basis.

What are they buying? Out-of-season stock, but a lot of the time, it’s the stuff that fashion dubs “timeless”. Things like a really great leather Prada handbag, or a well-cut black Givenchy tuxedo, or the perfect Celine trouser. They’re rolled out season after season, for one reason: people always want them. So why not get them at a discount?

An extreme example of that is the Chanel 2.55 – named after the month and year it was designed, it’s still a bestseller, despite prices that hover around £3,000. It’s a style that never goes on sale.

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The fact that timelessness is so opposed to the very system of fashion may explain its appeal. If you’re dropping three grand on a bag, you don’t want to feel compelled to chuck it away after six months. Or maybe, after three – or even fewer. Fashion houses such as Dior or Chanel no longer rely on bulky biannual drops of clothing, but multiple deliveries throughout the year. Whenever I talk with CEOs of those companies, they talk about the attraction of the “new”.

However, to make something new, something else must be decreed “old” and discarded in favour of the fresh. Personally, I find something slightly abhorrent about that, especially given how well made high-fashion clothing is.

Luckily, fashion labels are getting the message. I can’t count the times I’ve been confronted with a new “house classic” – meaning they’re hoping to sell a lot of these handbags/shoes/clothes/whatever, for a long, long time. That’s canny. A timeless garment can hang on rails for years – a great return for the brand on the cost of designing it in the first place, and for the consumer buying it, too.

The latter is the important point. Timeless clothes feel like a modern way to dress. New isn’t necessarily good, and old isn’t necessarily bad. Because, in another of those neat paradoxes, a timeless wardrobe will never go out of fashion.

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Some sisters have rivalries; some have charming, Sydney-based clothing brands with buzz. Beth and Tessa MacGraw opted for the latter with their self-named label, macgraw, which debuted at Australia Fashion Week in April 2014—and it seems it was always meant to be that way. ”We’re close, we’ve always been really good friends,” Tessa MacGraw explains, ”it’s always been the plan to end up working together— it’s quite easy.”

The same might be said of their ultra-feminine pieces—like peek-a-boo lace dresses in sky blue and cloud white, shorts suits, Mod dresses and a strapless ruffle top that feels like a game changer, tucked into high-waited shorts. ”We love embroidery and lace and we love stripes,” Beth MacGraw explains, ”we tend to like a high waist. There’s always two hand-drawn prints by Tessa in each collection.” It’s a specific vision that’s borne of siblings with fashion cred—Tessa attended design school and Beth worked as a PR rep before going out on their own.

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Living and working in Sydney, one might assume a surf-ready, ultra-laidback aesthetic, but macgraw bucks that idea. ”I wouldn’t call us beachy, it’s definitely more of a polished look,” Beth says, ”Easy is definitely key, we’re not about being uncomfortable—we love a flat, we still love girly and fun things to wear.”

Their most recent collection channeled a character quite far from the beach, in fact. ”We created our version of the modern she girl—she has windswept hair running through the meadow,” Beth says, ”We took it to a French place, and showed it [at Australia Fashion Week] with girls walking on a plush pink carpet. It was very romantic and very pretty.”

So what’s next on the trajectory for two Aussies who count Alexa Chung as an inspiration? ”World domination,” Tessa quips. ”This year has been quit amazing for us,” Beth adds, ”We never expected to have a show and then three different international markets open up for us.”

”It seems we have to set new ones,” Tessa finishes.

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